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Subject: Re: Attn JMS: Question on writing Date: 25 Aug 2001 08:27:44 GMT From: jmsatb5@aol.com (Jms at B5) Newsgroups: rec.arts.sf.tv.babylon5.moderated >When you write, do you just go full tilt boogie stream of conciousness >and that's it? Or, do you write stream of conciousness and then go >back and edit and re-edit, adding subtle shadings until the words >paint the picture you want? > >If the latter, how often do you find yourself going over a story until >it's right? Perhaps that isn't a fair question, as it probably depends >on how well the first draft came out of your head. But I ask because I >want to know your answer, not merely guess at what might be your >answer. It depends. By and large, it breaks down as follows: Scripts I tend to write once straight through and that's it, minus last minute production changes (sets and the like). I hate outlining and avoid doing it whenever possible because then the story's written, and I lose interest in writing it. I like to find the story in the characters as I write them; I like to be surprised by what happens, on the theory that if I'm surprised, then the audience will be surprised. The longer I take to write a script, invariably the weaker it is. Conversely, the ones written in one pass, in one sitting, in white heat, tend to be my best stuff. Sleeping in Light: written in under two days (though I'd thought about it for years, so that may not be the best example). Gethsemane: one day. Signs and Portents: two days. Chrysalis: one day. I could site others. Grey 17 took three weeks. It shows. The thing about writing fast, for me, is that it forces me to get out of my own way. I don't second-guess myself, I just listen to the characters and write down what they say without questioning it or over-analyzing it. And I try to avoid rewriting because I think it leeches life out of a script. Fiction: here I tend to write and rewrite ceaselessly. I'm about 200 pages into a novel I've been writing for the last year or so, and I've rewritten the first 100 pages at least 20 times, because it's a different process...it's about creating a mood on the page, handling description differently from a script (which is fairly straightforward) so that you create word pictures. I also trim and snip and cut and tidy until there isn't an inch of fat on the thing, it's lean and mean and ready to go. Fortunately, fiction allows that kind of detail work, which TV does not. jms (jmsatb5@aol.com) (all message content (c) 2001 by synthetic worlds, ltd., permission to reprint specifically denied to SFX Magazine and don't send me story ideas)